Scott and Liam were trying to hold in their laughs at out bickering. Be more appreciative, okay?" Stiles sassed. "Hey! We're taking you to go get your donuts. "Oh, because that is very informative to me!" I called out, wrinkling my nose. I squinted at the back of his head while sassily shaking my head. "We're picking somebody up." Stiles said casually. "Where are we going?" I sighed anxiously. Why did I agree to go with them again? Oh yeah, Angel Lili wanted her donuts. I'm with complete strangers in a car going who knows where. My forehead was pressed against the window behind the driver's seat. He really talked through each of the scene's sections, with both Sir Sean & myself, as if we had worked together before.I sat in the back of the jeep with Liam. What a joy & an honor, to have worked with such a great director. Sir Guy was the best (I wish he and Sir Broccoli, were still with us, so I could have seen them again). The 3rd was the dance! I just showed them my own choreography, of different karate and strong dance movements.ģ- What was it like working with director Guy Hamilton? The 2nd was the screen test, I had to do a scene on camera. The first, an interview with Sir Broccoli and about 6 others at a round table. Interested in seeing me for the role of 'THUMPER'. I was called by my agent Marty Klein, who was called by the 'James Bond' producer, Sir Cubby Broccoli. Lola & I didnt decide what we were to do, just elaborated on our sections, if possible & of course with Sir Guy & Sir Broccoli's approval.Ģ- Do you have any interesting anecdotes to share about the casting or filming? He asked me to show him some dancing moves (he not being a dancer) but knew what Bambi's moves were, because she was in the air mostly and my moves were mostly grounded. We only worked with the stuntman who, almost like a choreographer, went through every section of moves we were to do. The scene was, of course marked out for us beforehand. I especially was trained and then danced in the KATHERINE DUNHAM'S Haitian based technique company which is where I also studied the Haitian Karate. I was casted because I was/am/have been a dancer since I was 6yrs young. Did you and Lola Larson choreograph it together? A big thank you to her!ġ- You pace and move like a tiger in your scene, moving at fast and slow speeds. Does Ms Parks have any amusing or interesting anecdotes to share about the filming or casting on DAF?īelow are Ms Parks' answers. How long did that scene in DAF take to shoot? There is the actual fight itself, but there is also the scene with yourself and Donna Garrett being dunked in that pool.ĩ. Is it true you knew Sammy Davis before he appeared in a deleted DAF scene?Ĩ. You pace and move like a tiger in your scene and move at slo-mo and fast speeds. Tell us about your music and dance background?Ħ. What was it like filming in the Elrod House?ĥ. What was it like working director Guy Hamilton?Ĥ. Could you comment briefly on how she went about choreographing the sequence with Lola Larson, how long did rehearsing the scene take and did she and Lola have any input into the scene?ģ. I'll do it myself if I have to, but I'd rather it was a group activity- any ideas?ġ. We have 9 questions (so far, still time for more) which we have to whittle down to 3.
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